OPEN HOUSE INTERNATIONAL OHIAcademic Blind Refereed Journal
Volume 31 No.3 September 2006
Special Issue ISSN 0168-2601
Design Studio Teaching Practices
Between Traditional, Revolutionary, and Virtual Models
Guest Editor,
Ashraf Salama, Ph.D.
Professor of Architecture
Contact "Carol Nicholson" Carol.Nicholson@ribaenterprises.com
http://www.openhouse-int.com/
Open House International has been selected for coverage in the Thomson ISI products, the Social Science Citation Index, the Arts & Humanities Citation Index, Current Contents/Social & Behavioral Sciences, and Current Contents/Arts & Humanities beginning with V 31(1) 2006. OHI is also indexed in RIBA Library, ARCLIB, AVERY, and EKISTICS Index of Periodicals.
Excerpts from the Editorial by Ashraf Salama, Guest Editor
The process of educating future architects and designers around the world varies dramatically. However, there is one striking similarity – the dominance of the design studio as the main forum for knowledge acquisition and assimilation, and for creative exploration and interaction. Such a setting encompasses intensive cognitive and physical activities, which ultimately result in conceptualizing meaningful environments proposed to accommodate related human activities. The design studio is the primary space where students explore their creative skills that are so prized by the profession; it is the kiln where future architects are molded. It has occupied a central position since architectural education was formalized two centuries ago in France and later in Germany, the rest of Europe, North America, and the rest of the world.
My personal experience of the design studio comes principally from being academic, studio educator, and researcher on architectural education and studio teaching practices for over fifteen years. Continuous endeavors have resulted in a number of publications that analyzed traditional studio while probing into the motivations of my colleague educators and allowing for critical examination of studio pedagogy (Salama, 1995; 1996; 1998; 1999; 2002; 2005; 2006). My passion for a continued exploration and investigation of the studio underlying rituals, teaching styles and learning outcomes, design processes and studio projects motivated me to entertain the idea of guest editing this issue and to venture a call for contributions for soliciting visions and experiences on the theme. This initiation was further encouraged and supported by the Editor in Chief – Nicholas Wilkinson.
This issue of Open House International-OHI is concerned with the studio pedagogy’s increasing importance within the context of contemporary architectural and design education, a crucial subject that poses itself confidently on the map of current academic research. Twelve papers are included; of them, nine were selected from over 30 submission responses to the call for contributions. These are of Ashraf Salama; Nisha Fernando; Kevin Mitchell, Malika Bose, Eliza Pennypacker, and Tom Yahner; Tasoulla Hadjiyanni; Carlos Balsas; Rabee Reffat; Jeffrey Hou and Min-Jay KaNG; Jamal Al Qawasmi; and Jeffrey Haase. Three papers were selected as they won the first three awards of the International Architectural Education Competition entitled "Alternative Educational Ways for Teaching and Learning Architectural Design," which was organized in 2005 by Open House International and the Faculty of Architecture, Eastern Mediterranean University, Northern Cyprus. Results were announced in April 2006 and the three winners were JOONGSUB Kim (1st Prize); Noam Austerlitz & AVIGAIL SACHS (2nd Prize); and GUITA FARIVARSADRI & Ustun Alsac (3rd Prize).
Efforts of these concerned and committed educators are integrated to openly debate the delivery system of education in the studio. Actually, they are advancing the discussions on how this subject has become a recognized area of research in recent years, how studio teaching invigorates the attitudes of future architects and designers, and how it may contribute to the creation of better environments. The papers in this edition of OHI capture the body of knowledge about design studio teaching. However, they can be regarded as different studio typologies that delineate a paradigm shift. Such a shift is from the traditional approach that follows principles and practices developed in the past, and not equipped to deal with the practical realities of contemporary societies, to a more responsive approach that effectively challenges recent advances in social and behavioral sciences, and telecommunication technologies. Such an approach is characterized by committing itself to a student-centered learning process by shaping and identifying studio objectives and thereby recognizing the impacts they may have on the life-long learning skills of future architects.
